Cinelude: the film before the film
Our flagship product steps into the light. An AI reads everything your market has already published, shows you the space left empty, then carries you all the way to release. Here is why we built it.
3 min read
Two months ago, Cinelude did not exist. There was a creator, Antoine Langloys, a mentalist followed by more than 1.7 million people, who prepared his videos the way almost everyone does: dozens of open tabs, hours spent watching what others had already made, a script in one document, a shot list in another, screenshots lost in a folder. And before every shoot, the same question: has someone already told this story?
Today, Cinelude answers that question in seconds. Then it does the rest.
The complete studio, in a browser
Cinelude is the pre-production and production platform we wished we had. It follows the channels of your market hour by hour, transcribes every video, turns each one into an analysis sheet, puts every story on a single map and shows you the ones nobody has told yet. Only then do you write: a sourced first draft, the shot list, the storyboard, the titles. Then you make: timeline, 3D sets, renders on your own machines, all the way to the studio lights. Then you publish, to seven destinations, from one place.
Four acts, eleven sequences, one common thread: Spot, Write, Make, Publish. Creators today stack a monitoring tool, a word processor, a spreadsheet, storyboard software, a calendar and a scheduling app. We know of no tool that covers this whole chain. Cinelude holds it in a single workspace, where every document knows where it comes from.
A channel does not die from bad editing. It dies from an idea someone already told better, six months earlier, in another language.
What the AI does, and what it does not
Cinelude's AI reads. It reads thousands of hours of video for you, without getting tired and without lying about its sources: more than 29,000 videos analysed so far, more than 6,000 hours of transcripts, more than 3,700 stories mapped. It suggests subjects, writes a first draft grounded in what it has actually read and prepares the production documents.
It does not choose. The angle, the voice, the cuts, the decision to release a video or start over belong to the creator. That is a deliberate choice: a machine that decided for you would make videos that all look alike. Cinelude is built for the opposite, finding what does not exist yet.
Born on set, not in a spreadsheet
Entresonge is a production company first. We write, shoot and edit our own formats, including the Manipulation Games series. Cinelude grew out of that work: every screen answers a problem we actually ran into. Endless research, scripts that do not cite their sources, shot lists copied out three times, publishing network by network at midnight. We use it for our own videos, and we offer it to people who do the same job.
It is also the centrepiece of a wider ecosystem: Entresonge builds tools for the whole creator economy, and Cinelude is at its heart.
Access on request, in small waves
Cinelude is currently in private beta. We open it to selected creators in small waves, so we can follow each of them closely and polish every detail before the commercial launch. One subscription, the whole studio, no tiers and no add-ons. To get in, send the link to your channel from cinelude.com: we look at what you do, we get back to you, and nothing is committed until everything is in writing.
In the nine articles that follow, we lift the hood, screen by screen.
